The simple set and passionate performances in the Clarence Brown Theatre's production of Copenhagen leave a powerful impact on its viewers.

The play brings the audience back to Denmark during World War II and focuses on the relationship between two physicists, Neils Bohr and Werner Heisenberg.  Copenhagen explores the scientific and moral struggles that were tied to the creation of the atomic bomb. 

The cast consists of only three actors and the set of only three chairs.  Anything flashier would have taken away some of the intimacy of this show.  The minimalistic design scheme focused all of the attention on the actors and their conflicts, which proved to be more than entertaining. 

David Alley turned in a strong, young and vivacious performance as the scientific prodigy Werner Heisenberg.  His moments of passion were highlights and his self-confident and rebellious persona contrasted well with the more cautious attitudes of the Bohrs.

Linda Stephens's portrayal of Margrethe Bohr was a little off-putting at first, but she soon settled into her role.  Stephens added a maternal element to the play and her blend of compassion and defensiveness made Margrethe incredibly human and remarkably likeable.  Dan Kremer also captured the paternal and patient characteristics of his character, Neils Bohr. 

With Copenhagen, director Kate Buckley took Frayn's scrambled play and gave it life and emotion.  While the overarching theme of uncertainty was still present, the acting made us care about the characters and become embedded in their dilemma. 

Copenhagen continues its run at the Clarence Brown's Carousel Theatre until April 11.  Tickets are $5 with a valid student ID.